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Photos by are so massive, and have been so massive for the majority of my conscious years, that new songs seem more like jingles for U2 Corp, new albums seem like the latest generation device from the U2 laboratories, and tours seem like product rollouts. So forgive me if the monstrous stage setup at the heart of the, which kicked off its American leg Saturday night in Chicago's Soldier Field, struck me as a sort of enlarged version of the gaudy kiosks companies erect at trade shows. On the stage's center carousel, you could swap out Larry Mullen, Jr.
And his drum kit for the 2010 Nissan Sentra, replace the Edge and Adam Clayton with hired models in high heels, and it wouldn't look that strange. And you wouldn't have to alter Bono a lick in this transformation-- repeatedly shouting/singing 'Chicago' like the 2016 Olympics Committee was paying him $100 each mention, listing off a Chamber of Commerce-approved list of local landmarks ('Grant Park! Lake Shore Drive!'
), complimenting the city for producing the first African-American president-- he's a natural pitchman. But what exactly are U2 selling?
Yeah, okay, there's that new album everyone has already forgotten about. It seemed more likely that the foursome is selling the very idea of the stadium show itself, an event on its last legs as the number of bands that can draw 80,000+ to a football stadium dwindles to fingers-on-one-hand levels. Of course, how do you sell a massive stadium show?
By trying to not make it feel like a stadium show! 'We built this spaceship to be closer to you!' Bono cried at one point, and on the conceptual surface it's true, with its all-inclusive light show reaching the $30 ticket paupers in the third deck and automated catwalks that plunge through the GA floor crowd. Never mind the fact that if U2 truly wanted an intimate concert experience, they could just play more shows at smaller venues, removing the need for 120-semi-truck caravans and a crew big enough to run an airport. But like Bit Torrent, U2's anthemic humanism works better the more people involved. No man can stop the chills a-comin' when a crowd that enormous locks into an arm-swaying singalong to 'I Still Haven't Found What I'm Looking For', as odd a choice as that may be for uniting the masses. And despite what Bono says, I don't think they really want to be that close to their fans-- you'd have to be a sucker to watch the actual flea-sized people running around on stage, when there's a Jerry Jones wet dream of a video screen showing HD close-ups of the band dominating your field of vision.